In most ficitional depictions, vampires do NOT
collect things. First, they live forever - if
they constantly collected things given that kind
of timespan, it would quickly get very hard to
move around. (Another thing they're supposed to
do often since otherwise, after about 30 years,
the neighbors start to talk about that incredible
ongoing facelift. . . ^_~) Besides, they have
100% perfect photograhic/audiograpgic memories
for things and events (especially in modern
fiction), and thus can merely gaze at the cel
once. Then from that time on, the cel is captured
perfectly in their mind for all time - no matter
what happens to the original.
(/vampyres listowner mode)
So did you really want to talk about vampires or
should we go back to cels? ^_~
I'm in the same boat with others who were very
disappointed with the price of Disney animation.
I hadn't really thought much about how the
pictures got on the TV until I saw some Disney
cels while I was at one of the parks. There was a
spectacular two cel set (framed in the same frame
side by side) of Maleficent. One cel of her with
her Raven and her cloak falling all across the
floor (yes, I've always had a thing for capes and
cloaks) and the other was a near full body shot
of her in her Dragon form. They were mind-
bogglingly fantastic. They were also something
like $25,000. (I could be wrong, since - at least
with my generation of kids - any amount of money
over about $50 was completely incomprehensable to
a seven year old. ^_^;;)
I've always loved animation (and still do like
Disne animation!!). There is nothing I've seen in
a Disney shop that I've wanted more.
When I was introduced to anime, I loved it
exactly because it was so different from Disney,
and - yes - often twisted. ^_^ When I ever found
out that anime production cels were so *CHEAP*, I
just started picking them up. I like this scene,
and that scene, and this character, and that
character. . . I love to have the actual picture
that was what was put on the screen. It's. . .
*neat*. ^_^ And the more a cel has with it, the
neater it is - genga, backgrounds, timesheets -
I've read a lot about the animation process but
the ideas don't start to fully materialize in my
head until I'm holding the actual pieces in front
of me.
Also cels bring up things for me to ponder. Why
do some backgrounds have registration holes in
them and others don't? If a background doesn't
have holes in it, how is it held in place for
filming? Why make a background in more than one
layer if there is never a cel placed between the
layers? What seems to decide if two characters in
the same frame are animated on separate cels or
on the same cel? Etc, etc, etc. . . ^_^ I like
to overthink things sometimes. ^_^
But anyhow. . . I guess it could be a vampyric
trait. In legend, if you sprinkle rice on the
ground it will protect you from vampires because
the vampire is compelled to stop and pick it all
up, to the very last grain. . . But they didn't
have cels to try with back then, so. . .
("Damn! Look at this Larva laying here! And a
Clary and a Sakura and a Kusanagi. . . Crumb it,
when is the sun coming up again?? I can't leave
any of them out!! They'll fade!" ^___^)
Many Sharp Smiles,
--Drac (now I REALLY have to get my vampyric butt
to work!! ~_~)
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